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EXAMPLES WORKFLOW EDITION |
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Mike Nguyen''....In regard to an animated character, my thoughts follow along this thread : The essence of a being is the soul. |
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Jason Schleifer''...There are two things that really nail emotion
for me in a character. One is the pose, and the other is the change
between poses. It's really key to make sure
that you're aware of how much emotion can come from the
change that happens over time. You may find that you can draw
a great concerned brow pose, but how concerned does it really
feel? It isn't until you tighten that brow just a little bit more
that the real concern comes out. Or if you release the tension
just a touch, suddenly the character feels a little lighter. Remember
we're looking at moving pictures. Don't forget about making the
pose move to really make the emotion come through....''
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Jason Martinsen'' ... Now I can start the shot with a solid idea
in mind. I find a strong key pose that really symbolizes what
the character is saying and feeling, even if the pose is not in
your shot exactly, and refer to this thoughout my posing. Never
stray too far from it emotionally except in really strong takes
or action, where great contrast is needed. Emotion comes from
the face, nail it then let the posture and silhouette do the rest.
If the character is facing away from the camera, the tilt and
angle of the head says everything, with the slump of the shoulders
and the tension or lack of in the hands and body..... '' |
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(C) SStudiopress.com - 2010 |
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